On view on Friday, March 31, 2017 from 6:00 – 8:00 pm and on Saturday, April 1, 2017 from 2:00 – 5:00 pm.
Guest Room will host DYSTOPIA/DEMATERIALIZATION with The Old Shed on Gary Road between W. Poplar & Oleander in Carrboro hosting HETEROTOPIA/MATERIALIZATION and Apartment Gallery at Apt 10G, 881 MLK Jr. Blvd. in Chapel Hill hosting UTOPIA/REMATERIALIZATION.
Part One: Dematerialization/Dystopia
Artists: Allison Coleman, Luke Firle, Lindsay Metivier, Joy Meyer, and Vanessa Murray
Part One of Materia explores the concept of Dematerialization to it’s Dystopian ends.
In this show we dematerialize the referents of our art practices. We have deconstructed our art practices to their alchemical and discrete natures. By reducing, separating, and isolating our materials and concepts from their origins we aim to create a sense of entropy in the space.
Metivier’s bowl of fruit was left in the sunlight and is transformed by the slow decay of time. Firle’s unfulfilled urge to save and hoard all of his wood shavings becomes the silent remnants of cedar, walnut, pecan, and pine.
Meyer’s clipped faux fur was previously a performative substrate. Here the scraps twist and curl in a gradual disorder. Beneath it, the lambskin becomes an absurdist pedestal. Coleman, a surrealist painter, offers an amassment of human hair as a nod to Oppenheimer’s tea cup and saucer as well as a reference to the bristles of a brush.
The surfaces of Murray’s paintings are emphasized through the accumulation of layers. The history of her process and decisions regarding color relationships have been scraped from her palette and the cavities of her paintings. The detritus remains become a precarious composition.
The presence of these artifacts in relationship to their representation as photographs creates another layer of disconnection as well as a sense of dislocation. This show intends to evoke a space of contemplative unease about the past and future.